Category Archives: Magic

The Evolution of Magic

Magic is a terrific hobby, profession, and field of study, largely because it is intellectually gratifying on many levels. The serious student of magic learns not just how to fool people, but larger lessons about how the mind and perception work. Magic teaches psychology and a deeper understanding of how we process information. For this reason, in recent years, researchers have gone to magicians as a resource for their keen insights into perception and consciousness. In fact, my favotie college professor, Daniel Dennett, describes consciousness itself as a magic trick, an illusion of sorts that our minds create to engage and form a relationship with objective realities; it’s a fabulous analogy and parallel that he expounds upon in his writings and
TED talks If you’ve never heard or seen him speak, you’re in for a treat–he’s a brilliant man.

The field of magic is constantly changing, and for good reason. Once a trick’s method is exposed and becomes known to the public, it no longer works, so new innovations are constantly required. And as technology changes, so also do the possibilities for magic. For instance, 200 years ago, a magic trick could have been something like instantly squaring any number between 1-1000. Today, we have calculators that do this instantly, and while it’s impressive, it falls decidedly short of miraculous. Similarly, 200 years ago, a magic trick could be getting from Europe to the United States in under 10 hours. Today, it’s called an airplane.

The same thing is true today, and always, which is the reason for Clarke’s III Law:

“Any sufficiently advanced technology is indistinguishable from magic.”

So as life evolves and technology advances, so does magic, which keeps things ever changing, interesting, and fresh. There will always be magic, because magic itself evolves. It evolves by necessity, with the times, and using the latest technological innovations and secrets.

I was 15 when my friend Stephen Hobbs first published a move and routine of mine in his magic ephemera, Labyrinth. In his kind and flattering introductory words, he remarked insightfully that for some time, he had anticipated the fallout from the explosion of new magic media and mediums. He was alluding to the fact that when the only way to learn was from books, the information was difficult to create, disseminate, and engage, and thus magicians were truly the rare few who had the focus and drive to seek out and study the information. By the time I was starting out in the early 90′s, there were VHS tapes on magic that taught incredible routines along with fabulous performances. Those tapes cost $75 each, and had about five routines per tape. I was only able to get one or two tapes a year as gifts, mostly from my grandmother, because of their price. Books, too, were expensive, and remain so even now.

However, today, the technological landscape has changed dramatically. Not only do we have video tutorials (not VHS, of course), but the cost and time to create them has decreased from astronomical to nearly nothing. Same goes for its distribution. We all have smartphones that take video, and today’s SLR’s are affordable and take fabulous high definition footage. The effects on magic have been commensurate with the changes in this technology–that is to say, a complete and total paradigm shift, comprised of rapidly spreading ideas, presentations, and techniques. The result of all this information sharing–profound innovation.

For instance, in my teens, I thought I had mastered almost all card flourishes extant: the fan, the pressure fan, the ribbon spread, the Le Paul spread, productions, split fans, and so many more. Since that time, though, the number of flourishes has EXPLODED, to the point where card flourishing is now its own field called Cardistry or XCM (Extreme Card Manipulations). The students and practitioners of this type of flourishing study each others’ moves, riff of them, and continue to push the boundaries of what is possible. This video speaks for itself:

Burt Wonderstone

Just came back from seeing The Incredible Burt Wonderstone with my wife. I had no idea what to expect, and certainly didn’t expect much.

First the bad: i could have lived without the (rare) magic jargon and method divulsions. As I’ve previously written about, it’s not my favorite when secrets of magicians are divulged to the public, especially when belittled.  That said, there’s not much of it, and whatever.

The good: almost everything else, especially Jim Carrey. Every time he is on the screen, be prepared to laugh incredibly hard–don’t put any food in your mouth, and certainly no liquids, as you will surely spit up  or choke trying to stop yourself.  The guy is simply unreal. I love him. I always have, and in this film he’s just as electric as ever.  You can count on his delivering pure hilariousness every time he’s on screen.

Carrey plays a character that is a blend of David Blaine, Chris Angel, & Ace Ventura.  He attempts over the top stunts, each one more gruesome and absurd than the next.  For one of his spectacles, he gathers an audience around a large area of flaming red coals.  The expected trick is for him to walk across the coals unscathed. Classic.  Nearly every adult male in India can do that no problem (uh…kidding….just in case). Instead, Carrey’s stunt: he spends the night sleeping on the flaming hot embers bare chested. I don’t want to give away, well, anything, but it’s too late for that. So I won’t give away anything else.  Just go see it. If you love Jim Carrey, you’re in for a treat.

Oh yeah, Steve Carrell is also in it and he’s good too.

Tough to share a stage with JC.